AI Video Production
Creative isn't shot, it's produced — an AI line that hands you ten ad-ready videos a week, keeping pace with both review cycles and creative rotation. Scripting, generation, editing, compliance review and multi-placement output, all in one pipeline and in the hands of one team.
Six stages, each with its own deliverable. You see something at every checkpoint along the way — you never wait until the end to lay eyes on the finished piece for the first time.
Product selling points, campaign objectives, audience profile and an inventory of existing creative — first we settle who this batch is talking to and what we want them to do.
The opening hook in the first three seconds, the order of the selling points, the CTA at the close. One video makes one claim; we don't cram five selling points into 15 seconds.
Storyboards become generation prompts, and visuals and voiceover are produced in batches. Everything in one batch shares the same visual spec, so no two pieces drift apart in style.
Pacing, transitions, subtitles and loudness normalization, plus a safe-area check for every placement — keeping content clear of player UI and account overlays.
A line-by-line self-check against Meta's advertising policies, plus scans for banned words on screen and OCR risk, so frames that would be rejected are caught before delivery instead of after.
Adapted to 9:16 / 1:1 / 4:5 / 16:9 as needed, with subtitled and clean versions delivered together; filenames carry the placement and version number so uploading creative stays painless.
One script, different placements and lengths — produced once, it covers the whole acquisition funnel.
Vertical 9:16, where the first three seconds decide everything and the subtitles have to carry the message with the sound off. Reels is the first touch for cold traffic, so we treat the Hook as a variable of its own.
The feed wants 4:5 and 1:1; Stories wants 9:16. The same content ships in both ratios, so you never re-cut a video just to fit a placement.
Ready to go live as ad creative: the compliance self-check has already run, every placement is covered in one pass, and the naming convention lines up with your ad sets, so swapping creative never means hunting for files.
Community broadcasts run shorter, more conversational, more "something is happening right now". The same batch gets cut into community versions, with official accounts and group broadcasts sharing one production line.
Priced in USDT | Every video includes the compliance review and both output versions — not paid add-ons
Short hooks. Built for Reels, Stories and Hook testing against cold traffic
The standard campaign unit. Long enough to land one selling point and still leave room for the CTA
Full narrative. Suited to retargeting, product explainers and brand-led content
What hurts an ad account isn't "we have no creative", it's "the next batch isn't ready yet". A monthly plan locks in capacity so rotation has a schedule to follow.
Steady rotation for a single product and a single audience — first, stop running out of creative
Test several audiences and angles at once, while watching for when creative needs replacing
A creative inventory for the scaling phase: A/B runs on a framework, and results feed back into the scripts
Add-ons
iGaming creative usually gets rejected not over the concept but over banned words on screen and text an OCR pass can read. We screen those out before delivery, treating "a frame that would be rejected" as a QA defect rather than waiting for the platform to tell you. Whether a piece clears review is the platform's call; our job is to finish every check that belongs to us.
Creative plugs straight into the ad account with no third party translating in between. Which video has gone stale, which Hook deserves two more variants — those calls come from account data, not guesswork.
9:16, 1:1, 4:5 and 16:9 are all handled during the edit, with safe areas checked at the same time. No re-cutting a second round for Stories, and no versions where the interface crops your subtitles.
Creative fatigue is one of the main reasons ad costs climb — run the same batch long enough and the same spend buys weaker results. A monthly plan schedules the next batch into production, so there is always stock to rotate in.
Placements and dimensions
Files and versions
Audience and selling points aligned, reference material gathered, script and storyboard locked — generation only starts once this stage clears.
Visuals and voiceover produced in batches, editing and subtitles applied, loudness normalized and safe areas checked for every placement.
Self-check against Meta's advertising policies, banned-word and OCR scans, and your revision list handled in the same pass.
Multi-placement output, with subtitled and clean versions delivered together. The above covers standard 15–30s pieces; 60s adds 2 days.
Once the creative is running, the tracking has to add up; once the traffic lands, your own pages shouldn't be fighting each other for the same terms.
However well a video runs, if conversions are miscounted the whole test was wasted. An implementation log on dual-send deduplication and match quality.
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SEOBeyond paid traffic, organic infighting quietly drains results too — how we cut the pages back to one term per page.
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You don't need creative prepared or a script worked out first. Send over the product, the audience and the campaign objective, and we'll tell you how many videos this batch needs, what lengths, and which placements to run.
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